Essay --

GEC ENGLISH CURRICULUM GUIDE & LESSON PLANS How to Use this Curriculum Guide This series of lessons and resources builds upon the Uganda English Language Curriculum of lower and upper primary Uganda syllabi. It offers students an opportunity to use critical thinking and challenges them to become more fluent in English. Emphasis and practice is centered on the receptive and productive skills of Listening, Writing, Reading and Speaking. In each lesson, students will practice the four skills for English fluency - Speaking (S), Writing (W), Reading (R) and Listening (L).Depending on individual learning needs of girls, each day, learning facilitators may concentrate on a different fluency rather than giving nearly equal time to each fluency. Where necessary, all skills can be given equal time. Learning activities should also be enhanced to be more difficulty or reduced for beginners. In addition, learning facilitators will see â€Å"facilitator’s choice† in some categories in the overview. This means the facilitator can assign homework or out of cl ass activities to address a given fluency or they can add an activity during class time that addresses the desired fluency. The facilitator is given flexibility based on the needs of the class. Resources needed for each lesson included in the folders for each week. The units integrate a variety of topics and current events so students are using English in contexts that apply to them. The lessons also address multiple learning styles to appeal to and engage a variety of learners. For reference purposes and more practice for the learners, English language set books 1-3 should be utilized. Individual learning is integral to the lessons in this unit and every learner in the CLC is expect... ...s with your co-teachers as they accomplish the tasks. 5. Assign practice and extension activities to learners from worksheets and practical English Ogundipe text. Homework: Facilitator’s choice. WEEK 5 Lesson objectives By the end of the week students should be able to; †¢ Apply words of quantity in their compositions and discussions. †¢ Use the different types of sentences in their writing. †¢ Identify and apply a variety of punctuation in their work. Teacher Prep: Be familiar with words of quantity and more punctuation marks. Materials: ï‚ § Notes & Worksheets on words of quantity. ï‚ § Practical English Ogundipe Bks 1-3 ï‚ § White board and markers. ï‚ § English language dictionaries. Procedures: 1 Begin this lesson by asking students to complete a writing task. Select according to students’ levels and abilities from the folder ELS Lower Secondary multiple tasks. 2 â€Æ'

Ebay in China Essay

The joint venture with Tom Online will allow eBay to enter the Chinese rapidly growing market. In 2007, China experienced a technology boom in which more people were using the Internet than ever before. Besides the rocket increase of Internet usage in China, E-Commerce is growing as well. With the power and influence of Tom Online, eBay has a unique opportunity to grab the market share of a billion people in China. EBay can benefit a lot from the joint venture with Tom online. Tom Online will help eBay reach millions of people through Internet as well as the mobile Internet. Graph 1 shows that China experienced an exponentially growing in Internet usage. From 2005 to 2007, the Internet users in China doubled from 111million to 205 million. The big population of China almost guaranteed Internet usage growth. With the increase of Internet usage in China, the online shopping also grows rapidly. According to graph 2, online transaction value in China jumped from 3.9 billion RMB to 23.1 billon, representing an incredible growth rate of 253%. All the statistics above strongly prove that China is the perfect market for eBay to tap into. In addition to the great potentials of the market of China, the new marketplace will bring together the strengths of both companies. EBay EachNet’s global e-commerce knowledge and large and active trading community in China, and TOM Online’s local market knowledge and active wireless user base of more than 75 million. The new marketplace will bring enhanced online and mobile opportunities to buyers and sellers in China, evolving eBay’s participation in China and extending TOM Online’s wireless service portfolio into m-commerce. Upon the launch of the new marketplace, eBay EachNet users will be invited to transition to the new site, a nd TOM Online will work to deliver its user traffic to the site as well. Risks On the other hand, it is also risky for ebay to form the joint venture with Tom Online. EBay must pay close attention to Tom Online and their strategy in the market. Instead of eBay, it is Tom Online that has the majority share in Tom EachNet at 51%. EBay has injected over $40 million into Tom EachNet,  while Tom Online only contributed $20 million (along with knowledge, technology, and brand value). It is clear that eBay has more to lose in the deal, while Tom Online is simply negotiating their presence in China. EBay must work closely with Tom Online to ensure that their visions for Tom EachNet are similar, and a common strategy is taken to succeed. China’s business culture is another obstacle that eBay must monitor closely. Tom Online does have extremely well connection with the Chinese government, and eBay must be sure to take advantage of the TOM Online’s political networks in China. .

Modernist Styles, Including Cubism, Orphism, and Futurism

Modernist styles, including Cubism, Orphism, and Futurism challenged the practices of traditional representational art. I will argue that modernist styles including Cubism, Orphism and Futurism did challenge the practices of traditional representational art. While some may argue that that the fact that modern styles were concerned with subject gives doubt to how challenging they really were to representational art I oppose this idea entirely. All art is representational in some way.Rather than a dismissing the concept of representation in art the modernist styles challenged the validity of the external representation, which had previously en the foundation of art, by focusing on conceptual representation. Traditional representational art is based on the representation of an image as it is, at a fixed point in time, from a singular viewpoint. This type of art aimed to be entirely familiar to the viewer; the subjects involved easily recognizable and derived from sources of reality.Mel Gooding, in his book Abstract Art defines representational art as ‘any mode of representation in painting and sculpture that offers the eye the illusion of a perceived reality. ‘ I would expand on this definition to include art that aims to render n image realistically from a fixed viewpoint at a specific point in time. Based on these definitions, it is evident that Cubism, Orphism and Futurism rejected traditional concepts and conventions as these could not portray the conceptual representation modern art was concerned with.It is evident in the works produced by the artists associated with these movements that they made a conscious decision to expand what was acceptable in art by challenging the artistic techniques and practices of representational art that had been adhered to for hundreds of years. The introduction of new media, new concepts of space and form and new techniques tit light and color were all innovative and effective ways to display experiences of the wor ld in ways that weren't bound by traditional artistic conventions.These new conventions were only able to develop because modernist artists ‘consciously sought radically new ways to represent their experience of the world. ‘ Modern art at this time was all about stimulating the experience of a subject by portraying its essence through new artistic conventions. In this way these modern works challenged the more objective representational art by uncovering new concepts of reality that did not involve the burden of realism. The artist Delaney explained this as ‘historically there was a change of understanding, hence of techniques, of modes of seeing. In some ways these artists were set free from the burden of realism by the invention of the camera, which could render an image perfectly. They were given the freedom to portray their understanding of an image, not how it is observed. New modernist styles marked a change in the definition of what reality expressed through art really was, moving away from the traditional illusionist's visual mimicry to a more conceptual and internal representation. This idea was first formally established by Maurice Urinal an art critic and close friend of many of the artists involved in these modern movements.He stated that â€Å"if art is a meaner of augmenting knowledge, its function will only be served by painting forms as they are conceived in the mind. † I will argue that this conceptual form of art is more intellectually stimulating due to its complexity than the blatancy of figurative art. This is a sentiment that abstract artists wished to express and the reason they challenged the traditions of art at all. I will set out in my argument how the innovative use of artistic conventions by modernist artists proves that the practices of traditional representational art were rejected.It was only through this purposeful rejection of traditional representational art to a truer, more conceptual representation that the innovative concepts associated with these modernist styles were able to develop and this marks the development of modern art into abstraction. Space and form All three styles, Cubism, Orphism and Futurism show a pictorial space and form which would be unrecognizable to traditional representational art.. Although theses three modern styles varied, the works involved all occupied a new and more complex pace.Mel Gooding explains this as a trend in modern art away from the representation of recognizable objects in pictorial space and towards presentation of a painting or sculpture as a real object in real space. ‘ Up until this time the pictorial space created in the art work aimed to create the illusion of a real pictorial space for the spectator. The technique of one point perspective which was very much adhered to during the renaissance created a space in the picture which vanished into a single point in order to replicate the three dimensionality of our vision.This co upled with the use of shading and toning to accentuate the weight of form worked to create the illusion of looking into a realistic space. The use of formal conventions such as perspective and tone are illusionist's and therefore they were abandoned by these modern artists who were inspired to achieve a more conceptual representation of space and form. For example, Baroque said of Cubism What most attracted me and what was the governing principle of Cubism, was the materialistic of this new space which I sensed. The art movement of Cubism was in fact sparked by the idea f exploring a new anti naturalistic space which can be seen to be developed and refined throughout the phases of cubism. The driving force behind the experimentations with form that developed cubism was the rejection of the deceptive singular viewpoint perspective which governed the illusionist of representational art. Initially the search for a new, more truthful pictorial space was found in the introduction of time , the fourth dimension, into space.Around this time in history the concept that space and time where interlinked was suggested by Einstein theory of relativity which destroyed the concept that the dimensions of an object were absolute, by demonstrating that they depended on the relative position of the viewer. This abstract concept was portrayed in Cubism through the use of synthesized impressions of an image or space. As you view an image or object, your impression is not static but a moving collection of impressions over time. The use of multiple viewpoints aimed to compress a multiplicity of information gathered from various experiences of an object into one image.This innovation off truer space is most evidently portrayed by the analytic phase of Cubism. Through the incorporation of the new artistic conventions the fragmentation of form was developed. The intention was to encompass the entire visual experience of an object into one image and through this idea an effective techni que of breaking up form into planes and facets which each expressed a sample of visual information. The Cubist works now possessed a shallow pictorial space due to the abandonment of perspective on which these fragmented facets could be hung.This concept worked not to bring the viewer into an illusionist's space like traditional representational works, but to accentuate the flatness of the picture plane in order to bring the space forward to the viewer for hem to experience its analysis of the image and to stimulate those sensations provided by the experience of the objects. In Futurism the concept of time in an image was portrayed by movement. This inclusion of time as a meaner of transforming the static imagery once associated with art into a capturing of movement created a new optical and temporal space.Futurists were also interested in the use of fragmentation of form to challenge the idea of a fixed viewpoint that was used in representational art. However, they developed this i dea further and produced works which captured the idea of movement in a way that was not possible wrought traditional conventions. They achieved this through the use of rhythmic repetitions of space and form which is effective in evolving a static image into one which is in constant motion. Evidence of all of these ideas can be seen in artworks associated with all three of these modernist art styles.One of my favorite examples is Marcel Duchess's Nude Descending a Staircase No. 2. This work portrays the mechanical movement of a nude figure as it moves down a staircase. The form is made up of the synthesis of various static positions of the nude as it is in motion and Leary expresses the idea of form changing over time. The form consists of layers of superimposed facets and angular planes which is evidence of cubist ideals of space and form. At the same time the still phases of the form placed in succession create the effect of a fluid movement, this is an illustration of the futuris t need to recreate the visual experience of motion.These ideas coupled with the mechanized and almost robotic form of the image alludes to the Futurists focus on industrialization of the world. The painting was initially rejected by the hanging committee of the Salon des Independents exhibition in Paris. Their reasoning for this was ‘a nude never descends a staircase a nude always reclines. ‘ The fact that Decamp was not adhering to traditional conventions was not accepted at this time. Many found the painting unintelligible because they did not recognize the figure at face value.But this was Duchess's intention to redefine representation in art. Today the art work is treasured as a symbol of the innovative practices associated with these modern styles. Light and color Traditionally light and color were artistic conventions used to create those optical delusions necessary to form a ‘realistic' image. The light source in a representational work would be realistic an d consistently come from one light source. Color was used only as a tool for portraying the effects of light on form through shade and tone.This toning gave form the weight and the illusion of three dimensions. However, in modern art the illusion of the description of form and the natural effect of light on an image was no longer a concern. Orphism changed how color was viewed as a tool for portrayal. This was a movement that found significance in the symphony of sensations that colors are able to stimulate when crafted together. Because modernist artists no longer wanted to be confined to naturalism they were free to experiment with the effect of the relationships of color.This involved the color theory of contrasting and complementary colors and the optimum placement of these colors together to enhance hues. Delaney, a key Orphism artist was able to develop these color techniques from his studies of a chemist, Michael-Eugene Chevron's treatise, On the Law of the Simultaneous Contr ast of Colors. This treatise dealt with the concept that a color is observed differently according to its surrounding colors. An example of a modern work based upon the use of the application of color techniques is Homage to Bibelot by Robert Delaney.This work contains various circular forms all made up of highly organized bright block colors. The colors of these circular forms, which are mostly primary, are surrounded by a background of opposing colors such as a yellow, green and red image surrounded by blue, red and green respectively. It is this complete contrast which illuminates the effect of the colors to a point where they are so much more successful in their specific function when Juxtaposed in this purposeful way. It is not only this illumination that the use of these color techniques create but a pictorial space.A depth is created by the advancing and receding of colors according to their characteristics. These techniques had not been used in traditional representational a rt and are another example of how these abstract artists redefined accepted artist conventions. Media The use of different media is also an example of the development of new practices in the art world which stemmed from the rejection of traditional practices. During the Cubist movement the introduction of new media was achieved through collage, eliding the purposeful rejection of the observed for the conceptual.Cubist artists began to incorporate new materials into their works such as strips of newspaper or wallpaper. This innovation was a monumental step away from traditional art. Picasso ‘Still Life with Chair Caning consists of sections of a kitchen scene, a knife, a lemon a glass. Within the painting Picasso has also incorporated a section of chair caning patterned oil cloth. Instead of portraying the image of a chair Picasso chose to use something that would stimulate the viewer's experience of the object.The cloth as significance in the work because the viewer can relate it to the image of a chair without the image of a chair being displayed. Picasso is no longer concerned about displaying any illusionist's craftsmanship; he found a material; that would evoke the image he wished to portray and chose to incorporate it into the work. As a result, the whole purpose of art was challenged; it was no longer to replicate an external observation ‘realistically but to portray the essence of an image through pictorial clues.The images in a work may have meaning but when a foreign material is introduced it has the ability to change those meanings. For example a glass cut from newspaper confusingly evokes two images in the mind. Picasso explains this example â€Å"If a newspaper can become a bottle, that gives us something to think about in connection with both newspapers and bottles, too. This displaced object has entered a universe for which it was not made and where it retains, in a measure, its strangeness.And this strangeness was what we wanted to make people think about because we were quite aware that our world was becoming very strange and not exactly reassuring. â€Å"This peculiarity activates the mind on a higher level. The evolution of art to involve new media is a natural progression by an art movement which aims to confront the conventions of representational art and to create works which stimulate a higher level of perception than ever before. Picasso also says in the same statement about the introduction of new media â€Å"We didn't any longer want to fool the eye; we wanted to fool the mind. This idea pretty much sums up the whole purpose of these modern works. Subject Even the subject matter itself in these forms of art worked to separate itself from traditional subjects. Many works incorporated images that would activate memories f the more mundane, relatable experiences of life. It is evident that the artists involved in these styles were challenging the idea that art had to be a glorification of something, s uch as the biblical frescoes often associated with traditional art or a work that aimed to be ‘pretty.This introduction of everyday life into art effectively broadened the accessibility of art to everyday people. It was no longer a craft only obtainable by those with the ability to render the illusion of realism perfectly, it was open to anyone who wished to capture the conceptual essence of a subject through art. It is this idea which democratic art making. For cubists, subject was a platform onto which experiments with space and form could be conducted. This isn't to say that subject wasn't still taken into consideration.The easily relatable subject matter in these works was a purposeful decision in order to make the portrayal of the desired experiences easier. This was initially a playful experiment by the artists who developed these abstract artistic conventions due to the fact that they ‘enjoyed exploring the tension between apparent abstraction and suggested repres entation. ‘ Their new conceptual ideals had lead to the distortion and abstraction of the subject matter but they incorporated artistic clues to evoke the image of the object..By viewing modern works associated with these styles and considering what they seek to express, it is apparent that unlike representational art which relies on observation, the subject is not fixed but is instead based on individual and unique encounters. The work Just has to present itself and the spectator becomes the decider of the meanings of the subject. In this sense the fact that a subject of a modern work could e open to interpretation and is not obvious, modernist art styles transcended the level of intellectuality that figurative art could produce.Modern works were free to move away for the burden of only being able to portray observable images. In terms of Orphism and Futurism these movements aspired to move away from the external manifestations of human life. ‘ While Futurism chose to f ocus on the force of a dynamic subject, Orphism broke subject down into the lyricism of color. These modern artists felt that they were able to employ the dynamic forces of life such as speed and movement as the subject of a work. The inspiration for this sort of subject matter was inspired by the new technology fuelled age which was more exciting and dynamic than ever before.Because of this changing world the artists were living in they felt the need to express their excitement about life through art. This meaner that the fixed images of settings, people or landscapes associated with representational art was abandoned. Many futurist works portrayed mechanized and robotic figures or symbols of industrialization and technology immersed in some sort of movement. In conclusion, modernist styles including Cubism, Orphism and Futurism challenged he practices of traditional representational art by creating art which was more conceptual and internally driven.This focus on conceptual repres entation of a subject lead to the development of new ideas about space, form, color, light, and media and how these conventions come together to portray a subject. This redefinition of representation is evident in the works produced by these modernist artists. In the search for the ability to portray more truthfully modern artists created an art form which was more intellectually intriguing than art the world had seen before By Yachtsmen And

Research Papers Proposal

Research Papers Proposal Research Papers Proposal Research Paper ProposalA research paper proposal is a paper that briefly outlines the most essential issues of your research. A research paper proposal is handed to the defense committee in order for them to estimate the level of your preparation for research. If you get approval from them, you may start research and writing your research paper itself. If you need help writing a research paper or do not know how to write a research paper, you should contact us for professional research paper writing service! We deliver " research paper no plagiarism"!For a novice at conducting independent research, a research paper proposal may seem rather a complicated assignment. Still, with a bit of practice, efforts, and our guide a research paper proposal will be much easy to produce. So, follow the guidelines below.1. Decide on the topicChoosing a research paper topic is one of the most serious and important first steps to making a research paper proposal. You have to think over several fac tors influencing your decision as for the topic: the needs of research community, your personal preferences, and supervisors recommendations.2. Explore the historical context of the topic under considerationFind out who else investigated the similar problems in their works and what their approaches to it were.3. Formulate the objectives of your researchIt is very important for you to see the purpose you have to aim at. It will help you rally your thoughts together and get ready for the work.4. Make the introductory part for your research paper proposalThe introductory part of a research paper proposal usually introduces the problem under consideration. Here, tell what you are going to investigate, what results you suppose to obtain, and how you are going to achieve your purposes.5. Make up a literature reviewA literature review is another compulsory part of a research paper proposal. A review of literature is not only enumeration of existing works devoted to a certain problem. It is a deep analysis of these works presented in a form of logically connected standpoints on your research paper topic. 6. Inform on the research methods you are going to useMethodology is the last main part of a research paper proposal. Here, you have to present the methods chosen for doing research and explain your choice. In this part of your research paper proposal, explain why these methods are applicable and effective in relation to your research topic. How do you think they might help you?If you follow the guidelines presented above, you are sure to create a well-structured research paper proposal and get approval from the committee. If you are looking for research paper example, surf our free blog for numerous research proposals written from scratch!

Value of Wild Animal Fur Sociology Essay

Value of Wild Animal Fur Sociology Essay Value of Wild Animal Fur Sociology Essay Example Value of Wild Animal Fur Sociology Essay Example Several million years ago, when the primitive people lived, primordial humans killed animals to survive and warm with the help of their skins. Then, it was justified by a wild way of life and severe climate in which they could have died. In todays world, the use of leather and the fur production cause a negative reaction among environmentalists. Wild Animal Fur Should Not Be Valued In many aspects, they are right. The huge demand for natural beautiful fur leads to disappearance of many species of animals. That is why artificial fur is increasingly gaining popularity. Moreover, the production of fur clothing contributes to extensive poaching as rare and endangered species of animals are killed because of their skins and fur for sale and profit. In addition, animals are slain with special cruelty. Tragically, some of the animals are killed with the use of poisons and electricity in order not to damage the fur. It is also absolutely immoral to practice stripping of skins from live animals. Buying fur products, people often do not think about torments of animals shedding their blood for the sake of fashion. Despite the high value of animal fur as a symbol of beauty, warmness, and wealth, it should not be valued as its use reduces the wild animal species and contributes to the cruelty and violence toward the latter. History of Fur Use Fur is perhaps the oldest clothes in the history of mankind. Animal skins were worn by primitive people living on the European continent thousands years ago. In Ancient Greece and Rome, fur had no popularity. On the territory of these countries, it first came into use only after the conquest of Europe by the barbarians. In the Middle Ages, fur was worn only by the nobles and the rich people. The most expensive was minever and marten. The start of common fur fashion was in the 16th century. It was the time of trade, which made fur one of the most precious materials, along with spices and gold. However, it was worn by men only. In the 19th century, fur became an indicator not only of social status but also of age. It was meticulously chosen and worn on special occasions only. In the 20th century, fur became the object of interest in design. In the early 1900s, Jeanne Paquin and Paul Poiret began to include fur outer clothing in their collection. Fur boom was caused by the development of production of the first car. In these machines, the top was open, and warm clothing was necessary for the movement. The popularity of fur did not disappear until the Great Depression. Movement against Fur In 1980, the first organization in the history of mankind was founded to fight for the rights of animals in the United States (All about PETA). It was called People for Ethical Treatment to Animals (PETA). Since its inception, PETA has been famous by its loud advertising campaign with nude stars and models under the slogan that it was better to go naked than wear fur. In 1980s, fur felt into disgrace, which had an enormous scale: the rejection of animal cruelty was promoted on television, radio, and in lectures at universities, books and films (All about PETA). More famous people were getting connected to the anti-fur movement. This situation significantly boosted the production of artificial fur. It began to reach the popularity level of natural fur. This trend against the human desire and for the conscious consumption, promoting the infliction of the least possible damage to nature, is continuing today. Arguments against the Use of Natural Fur One of the main reasons not to wear fur is animal suffering. Any animal is exposed to severe conditions and dreadful death. Buying products that are made of natural fur and leather contributes to the brutal killing of other animals that have the same right to life as people. In most areas of the planet, one can easily live without fur coats. There are many other warm materials, down clothing, woven or knitted woolen clothing. Leather jackets and coats are heavy and bad-smelling. Today, millions of animals are killed for their skins (Linzey, 2002). There is an ethical issue of using astrakhan and cramps. This is a generally abhorrent practice to interrupt the pregnancy of animals, and both the mother and the baby are killed in order to get baby’s fur that has not been completely formed. On fur farms, such animals as sables, foxes, raccoons, and even bobcats are grown. Their stay is associated with large implications to health. The cells are close; animals are deprived of the opportunity to exercise their instincts; and many go crazy from stress, pain, and disgusting food, beginning to chew their limbs (Linzey, 2002). Animals in captivity are characterized by particular neurotic behavior, including the throwing from side to side, circling, and self-mutilation (Broom Nimon, 2001, p.241). The animals are constantly beating on the cell walls, causing themselves physical pain. Foxes in cages often resort to cannibalism. Broom and Nimon (2001) found that foxes in fur farms were characterized by a high level of fear and suffered from problems with reproduction functions (242). Although some animals die from diseases, stress, and self-mutilation, a sufficient number survives for slaughter and subsequently brings huge profits to its owners. On fur farms, there are aquatic animals that have no access to water in the conditions of the farms. Mason et.al. (2008) studied the conditions of minks at fur farms. He emphasized that these animals released the stress hormone when they were prevented from swimming (36). Moreover, there is a horrible method of obtaining astrakhan and karakulcha. Karakul is a skin of newborn lambs (2-3 days after birth). Karakulcha is a skin of prematurely ‘born’ lamb. The breeders simply cut the pregnant sheep and take lambs out of it. To r eceive the fur of karakul, an incision is made at the head of the live lamb, and then it is shaken out from the skin. Apart from fur farms, a practice of placing traps is still used (Linzey, 2002). Having stuck in a trap, the animal suffers waiting for its killer (hunter). The beavers, muskrats, raccoons, opossums, skunks, foxes are the main targets for hunters. In many countries, hunters are also obliged to mark their traps with information about a specific hunter and recommend checking their traps every day, but even a short period of time will seem like an eternity for the animal due to unbearable pain. Some animals even bite off their own limbs in order to save lives. Several states in the United States and many other countries imposed ban on the traps, which are known for the cruelty. However, hunters can easily evade the ban by other no less barbaric types of traps. If a hunter finds a captured animal still alive, it is usually beaten to death. Shooting is not accepted as, in this case, the hunter would risk damaging the skin. Therefore, buying fur and leather products, people are sponsoring t he killing of animals, causing heavy damage to the outside world. Moreover, the prisoners of traps are often unintended victims: birds, porcupines, deer, cats, dogs, and other animals that become maimed or killed. It is a commonplace that animals that are listed in the list of endangered species are killed in these cruel traps. Also, there is a danger of children’s getting into the trap. A few years ago, Canadian fishermen killed hundreds of thousands of harp seal pups in front of their mothers. Therefore, the Canadian government reduced the number of seals that were permitted to be slaughtered, decreasing the quota to 400,000 heads in 2012 (Myth and facts about Canada’s seal slaughter, n.d.). The process of slaughtering turned into an annual show, which caused a massive hype and hostility on the part of animal rights organizations and the media, trying to document the carnage. The Canadian government and the sealers try to block access to the area where the massacre is performed in order to avoid publicity. In 1987, the Canadian government was forced to pass a law that authorized the killing of seals just over two weeks. They are considered adults, even though they are so small that they are not able to swim and cannot be saved. In 2001, veterinarians who inspected the skull of seals came to the conclusion that â€Å"more than 40% of the seals were still con scious and were alive when they were skinned† (Myth and facts about Canada’s seal slaughter, n.d.). Fur is not the only material for sewing warm clothing. Today, there are warm synthetic materials. The preparation of fur also contributes to the pollution of the environment. Many chemicals (paints based on cyanide, formaldehyde, and others) are used during the fur handling. This certainly makes it serve longer, preserving the color, lightness, softness, and luxurious curvy shape. However, it affects person not in the best way. Often, chromium, which can lead to allergies, is used for processing fur. Another argument against fur is energy which is transferred to the owner of fur. Often, animals die slowly and suffer before death. When the animals feel fear and suffer, they release adrenaline that enters the bloodstream and is absorbed into the skin; so, the information of fear can be transmitted to a man and manifested in excessive anxiety and even neurosis. Advantages of Artificial Fur Today, few people doubt the fact that the fur can be easily replaceable. There are plenty of alternative technologies. If a lot of fur clothes in the wardrobe are made of artificial fur, a man can wear them with a clear conscience. The products that are made of such fur are a relatively budgetary purchase, which many people can afford. Low price is based on the fact that the use of synthetic fibers is less expensive to manufacture. Consequently, the price of artificial fur is much cheaper than of the natural one. Today, the production of eco-fur reached a high level and is in no way inferior to the production technologies of things that are made of natural fur. Products retain the novelty for a long time, are beautiful and shiny, easy to clean, and do not require special storage conditions. Things of faux fur look great in any color and authentically like natural fur. Meanwhile, the colored natural fur loses a lot of quality, which has a negative impact on its appearance. Certainly, there are several disadvantages of artificial fur. It is made of acrylic and polyacrylic polymers, which contain petroleum, coal, and limestone. Certainly, faux fur has reduced frost resistance. However, today, designers and scientists are still working, trying to improve the quality of ‘ethical’ fur. Externally, natural and artificial fur is almost impossible to distinguish, but the natural one is softer and more pleasant to the touch. Nevertheless, the advantages of natural fur in comparison with the artificial one have no significance as its use has serious consequences to the environment. Therefore, it is important to provide essential reforms to change the attitude to animals. People should revalue the life of animals and the desire to wear fashionable clothes. There are many compelling reasons to not use fur. Its wearing really cannot be justified, unless a person lives in a country with an extremely cold climate and fur is the only thing that can keep warm. The fur industry is terribly cruel causing a lot of suffering. Its purpose is to satisfy human vanity. Fur has become a symbol of luxury rather than a means to protect against the cold. People use coats and faux fur coats to keep warm. These products are also characterized by beauty and elegance. As fur clothes are made due to animals’ suffering, violence, and cruelty, it is important to recognize the harm of its production to the environment as well as change the attitude and perception of its value. The use of fur in the 21st century, the century of nanotechnology, space flights, and other breakthroughs, is considered simply illegal. People of the 21st century should seek to humanity rather than the perverted sadism. People must move away from the murder of animals as a source of luxury and find more civilized and acceptable methods.

Top 5 Job Searching Trends of 2016

Top 5 Job Searching Trends of 2016 The job market is always tough. But every year you’ll find there are distinct trends that dominate the search process. Here are the top  5 current job searching trends to bear in mind, whether you’re just starting out or looking to make a career change. 1. Hot FieldsIf it has something to do with technical advancement- analytics, mobile networks, healthcare, automation- then chances are it’s an â€Å"it† field. Even if the tech sector at large is maybe slowing it’s growth a tad, these fields are booming. If you’re looking for an industry that will aggressively recruit, those might be your best bet.2. The Relative Unimportance of SchoolCollege is always a good idea- a degree is, in fact, essential in many fields. But it’s not the only important factor in an application. So don’t beat yourself up if you didn’t go to Harvard, or even the fancier of three state schools near you. What matters most is the skill set youâ€℠¢ve acquired- and your commitment to keep learning more. Stay sharp and go after the skills most valuable to employers in your field- even if just through a few online community college classes.3. Talent CommunitiesTalent communities are an interactive discussion forum linking companies, their employees and potential employees, and HR reps. Often this is where you’ll get the specifics you need to target an application or get your biggest questions answered. Try Dice for IT, or Mediabistro for communications. And use your smartphone or tablet for the best functionality.4. AppsWhile we’re on the subject of mobile devices, why not take your job search out into the daylight with you? There are more and more job seeker apps out there, like Switch or Jobr. They won’t do all the work for you, but they’ll help you feel more connected and proactive.5. Working RemotelyOpen yourself up to the possibility of accepting a job in a virtual workforce. Not only does this widen your search geographically speaking, it means you can sometimes work in your pajamas, provided you can show results. More and more companies are considering remote employees; why not get in while the going’s good?The bottom line is: the job market is in constant flux. Keep abreast of the latest trends and try and put your toe in each of them. Adapt to the changing climate. Staying current will also mean you stay competitive.5 Trends for Job Seekers in 2016

Mixed Strategy Essay Example | Topics and Well Written Essays - 500 words - 1

Mixed Strategy - Essay Example My parents would always remind me whenever I came home late from partying that I should change my ways if I were to get a college education. My friends and classmates would no longer be there for me and that I should learn to stand on my own, be independent, because college is going to be a serious matter. My mother, who only finished seventh grade, would lecture to me again and again how important college education is and that if I want to have a better life then I should mend my ways. On the other hand, my father, who is a law school drop out, would back her lectures with the gravity of college. He said that if I would not learn any study skills I would be put in extreme embarrassment because professors would give unannounced quizzes and oral examinations. A student would be asked to stand up whenever he/she is called to answer and he/she would not be allowed to sit unless he/she is able to answer correctly. Before I graduated high school then, I spent less time with my friends and began to take a serious look at my life and my life ahead. I wanted college so much that I should be ready to face it and as much as possible finish it, not only for my parents’ sake but for my own personal satisfaction and fulfillment. I wanted a life that is more comfortable and convenient than what my parents gave me. Having spent more than a year in college, I feel that life is not that bad after all. I have new-found friends who back me up whenever I get entangled with my Math problem sets, others are there just to cheer me up whenever I have to spend sleepless nights just to beat the deadlines for my papers. Friends can be found everywhere and I can choose the good ones who will give me good influences. My professors are also not as bad as my father said. They are very supportive and understanding. My professor in Art, for instance, lent me some of her books for my project in Miro and Dali. She even coached me on how to use the internet for research since I only used the